Move bitch, get out the way
Get out the way bitch get out the way
Move bitch, get out the way
Get out the way bitch, get out the way
Move bitch, get out the way
Get out the way bitch get out the way
Move bitch, get out the way
Get out the way bitch, get out the way
OH NO! The fight's out
I'ma 'bout to punch yo... lights out
Get the fuck back, guard ya grill
There's somethin' wrong, we can't stay still
I've been drankin' and bustin' two
And I been thankin' of bustin' you
Upside ya motherfucker forehead
And if your friends jump in, "Ohhh gurrlll", they'll be mo' dead
Causin' confusion, Disturbin Tha Peace
Since not into lution', we run in the streets
So bye-bye to all you groupies and golddiggers
Is there a bumper on your ass? NO NIGGA!
I'm doin' a hundred on the highway
So if you do the speed limit, get the fuck outta my way
I'm D.U.I., hardly ever caught sober
And you about to get ran the fuck over
Move bitch, get out the way
Get out the way bitch get out the way
Move bitch, get out the way
Get out the way bitch, get out the way
Here I come, there I go
UH OH! Don't jump bitch, move
You see them headlights? You hear that fucking crowd?
Start that goddamn show, I'm comin' through
Hit the stage and knock the curtiensdown
I fuck the crowd up - that's what I do
Young and successful - a sex symbol
The bitches want me to fuck - true true
Hold up wait up, shorty
"Oh wazzzupp, get my dick sucked, what are yoouu doin'?"
Sidelinin' my fucking bussiness
Tryin' to get my paper, child support soon
Give me that truck and take that rental back
Who bought these fucking T.V.'s and jewelry bitches, tell me that?
No, I ain't bitter, I don't give a fuck
But i'ma tell you like this bitch
You better not walk in front of my tour bus
Move bitch, get out the way
Get out the way bitch get out the way
Move bitch, get out the way
Get out the way bitch, get out the way
Bring it, get 'em
Too bad I'm on the right track
Beef, got the right mack
Hit the trunk, grab the pump pump, I'll be right back
We buyin' bars out, showin' scars out
We heard there's hoes out, so we brought the cars out
Grab the peels cuz we robbin' tonight
Beat the shit outta security, for stoppin the fight
I got a fifth of the remy, fuck the Belve and 'cris
I'm sellin' shit up in the club like I work in the bitch
Fuck the dress codes, it's street clothes, we all street niggaz
We on the dance floor, throwin' bows, beatin' up niggaz
I'm from the D.E.C., tryin' to disrespect D.T.P.
And watch the bottles start flyin' from the V.I.P.
Fuck this rap shit, we clap bitch, two in your body
Grab ya four, start a fight dog, ruin the party
So move bitch, get out the way ho
All you faggot motherfucker make way for 2-0
So...
Move bitch, get out the way
Get out the way bitch get out the way
Move bitch, get out the way
Get out the way bitch, get out the way
About This Song
"Move Bitch" is a high-energy club anthem that channels pure aggression and dominance through its relentless, commanding hook and hard-hitting production. Beneath its seemingly simple surface, the song operates as an assertion of power and territorial control, with Ludacris positioning himself as an unstoppable force demanding respect and space in both literal and metaphorical contexts. The track's repetitive, almost hypnotic chorus functions like a battle cry, while the verses explore themes of confrontation, intoxication, and the raw energy of nightlife culture. Musically, the song features a driving, bass-heavy beat with sparse instrumentation that allows Ludacris's aggressive delivery to dominate the mix, creating an atmosphere of controlled chaos. The production's minimalist approach amplifies the primal nature of the message, stripping away complexity to focus on pure sonic impact. The song became a massive hit because it captured the unfiltered id of early 2000s hip-hop culture, offering listeners a cathartic release valve for frustration and a soundtrack for moments requiring confidence and assertiveness. Its enduring popularity stems from its function as an empowerment anthem that translates beyond its club origins into any situation where someone needs to clear obstacles from their path. The track represents Ludacris at his most uncompromising, showcasing his ability to craft hooks that are simultaneously crude and undeniably effective.
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