Geggy Tah Lyrics — by Popularity
| 1 | Whoever You Are |
| 2 | Don’t Close the Door |
| 3 | Holly Oak |
| 4 | Lotta Stuff |
| 5 | Century Plant 2000 |
| 6 | Sacred Cow |
| 7 | Such a Beautiful Night |
| 8 | Gina |
| 9 | Las Vegas With the Lights Out |
| 10 | One Zero |
| 11 | House of Usher (Inside) |
| 12 | Dumb Submarine |
| 13 | She Withers |
| 14 | Shed |
| 15 | Mem |
| 16 | Go |
| 17 | Space Heater |
| 18 | Sweat |
| 19 | Last Word (The One for Her) |
| 20 | Aliens Somewhere |
| 21 | Love Is Alone |
| 22 | Special Someone |
| 23 | Tucked In |
| 24 | Goodnight to the Machine |
| 25 | P. Sluff |
| 26 | I Forgot |
| 27 | L.A. Lujah |
| 28 | Bomb Fishing |
| 29 | Welcome Into the World (Birthday Song) |
| 30 | Why Can’t We Be Friends? |
| 31 | (Ghost of P. Sluff) |
| 32 | Ovary Z’s |
| 33 | Fasterthan… |
| 34 | Granddad’s Opening Address |
| 35 | I’ll Find My Way |
Geggy Tah Albums
About Geggy Tah
Geggy Tah was an eclectic American duo from Pomona, California, active from 1994 to 2001, who carved out a distinctive niche by blending jazz sensibilities with alternative rock, electronic experimentation, and surreal pop songcraft. The band's sound was characterized by dreamy, atmospheric textures and cryptic, often whimsical lyrics that created an otherworldly listening experience, perfectly exemplified in their cult hit "Whoever You Are," which became a staple of mid-90s alternative radio with its hypnotic groove and enigmatic vocals. Their 1996 album "Sacred Cow" showcased their ability to seamlessly weave together jazz-influenced rhythms with indie rock aesthetics, while tracks like "Sacred Cow" and "Las Vegas With The Lights Out" demonstrated their knack for creating music that was simultaneously accessible and artistically adventurous. Throughout their 20-album catalog, Geggy Tah evolved from experimental jazz-rock fusion toward more electronic-influenced soundscapes, with later works like "Such A Beautiful Night" and "Mem" revealing a more polished, almost cinematic approach to their atmospheric compositions. Though they disbanded in 2001, their influence can be heard in the work of later indie acts who similarly blur genre boundaries, and their 37-song catalog remains a testament to the creative possibilities that emerge when jazz sophistication meets alternative rock's experimental spirit.