Dance Hall Crashers Lyrics — by Popularity
70 songs · Page 1 of 2
| 1 | All Mine |
| 2 | Cricket |
| 3 | Beverly Kills |
| 4 | Don't Wanna Behave |
| 5 | Mr. Blue |
| 6 | Othello |
| 7 | Make Her Purr |
| 8 | Will Tomorrow Ever Come |
| 9 | The Real You |
| 10 | I Want It All |
| 11 | Cat Fight |
| 12 | Triple Track |
| 13 | Cold Shower |
| 14 | The Truth About Me |
| 15 | Remember to Breathe |
| 16 | Salted |
| 17 | Elvis & Me |
| 18 | Whisky & Gin |
| 19 | Won't Be the Same |
| 20 | Last Laugh |
| 21 | Buried Alive |
| 22 | Big Mouth |
| 23 | She's Trying |
| 24 | Stand By |
| 25 | Do You Think You're Beautiful |
| 26 | Nothing Left to Say |
| 27 | Flyin |
| 28 | Over Again |
| 29 | Too Late |
| 30 | So Sue Us |
| 31 | Setting Sun |
| 32 | Just Like That |
| 33 | Everything to Lose |
| 34 | Nuisance |
| 35 | Pictures |
| 36 | Day Job |
| 37 | Skinhead BBQ |
| 38 | North Pole |
| 39 | Lady Luck |
| 40 | Fight All Night |
| 41 | Old and Grey |
| 42 | Good for Nothin |
| 43 | I Did It for the Toys |
| 44 | Truly Comfortable |
| 45 | American Girl |
| 46 | Shelley (acoustic) |
| 47 | All Mine (remix) |
| 48 | Lost Again (live) |
| 49 | My Problem |
| 50 | D.H.C. |
Dance Hall Crashers Albums
About Dance Hall Crashers
Dance Hall Crashers emerged from Berkeley's vibrant ska scene in 1989 as one of the few female-fronted bands in a male-dominated genre, bringing a distinctly West Coast energy to traditional Jamaican ska rhythms. Led by the dynamic vocal duo of Elyse Rogers and Karina Deniké, the band crafted an infectious sound that blended upbeat ska upstrokes with punk rock attitude and pop sensibilities, creating anthems like "Shelley" and "I Want It All" that became staples of the '90s ska revival. Their music captured the carefree spirit of California youth culture while maintaining ska's rebellious edge, with horn sections that could swing from playful to driving within a single song. Albums like "Honey, I'm Homely" and "Lockjaw" showcased their evolution from raw ska-punk energy to more polished pop-ska arrangements, while tracks like "Othello" and "Good for Nothin" demonstrated their ability to tackle both romantic heartbreak and social commentary with equal verve. The band's cultural impact extended beyond their 84-song catalog, as they helped legitimize female voices in ska and influenced a generation of musicians who saw that the genre could be both politically conscious and irresistibly danceable. Their 17-album discography, spanning from "The Old Record (1989-1992)" through later releases, documents not just their musical growth but the entire arc of American ska's third wave, cementing their place as pioneers who proved that ska could be both authentic and accessible.